The reasons for Myspace‘s fall from the zenith of social networking were the usual: neglect, user boredom, and a sparky new competitor offering an exciting, fresh alternative. Not terribly surprising. What has surprised me is the subsequent spooky quietness of the social music void that MySpace vacated.
Of all the would-be successors to MySpace, Last.fm has come the closest to being a direct replacement; but it provides poor listening options. Spotify and Grooveshark both have social aspects, although in both cases, the main focus is on music playing. And then there was Ping; as far as Apple is concerned, the less spoken about that car crash of a network, the better.
So it’s going to be interesting to see where new music discovery service Seevl fits in. With artist profiles, a comprehensive search engine, and integration with a plethora of streaming services, it looks well equipped to meet the needs of the contemporary listener. But can the app live up to its own, appealing feature list?
Consider broadband’s contribution to music. Without it, we’d all be stuck in our pre-Napster bubbles, unable to hear any harmonies on demand other than those we owned; no wonder music TV shows did so well back then. Without broadband, “iTunes” would just be a weird way of describing your CD collection. And without broadband, we’d still be sharing our playlists on tape. Nowadays, we can access virtually any piece of music ever recorded, and instantaneously share our latest audio discoveries with our friends. Thank you, broadband.
However, despite being spoilt for listening choice, we now have 2013 problems to deal with. Streamed music is a highly fragmented marketplace, and if you are trying to build a cloud-based library, it is unlikely that every track you’ll ever want will be on Spotify, or Rdio, alone. As a result, playing your internet-derived library may require a haphazard tour around the likes of YouTube and SoundCloud, just to get the sounds you’re after. That’s just silly.
The makers of the beta, music curation platform, Cumulus.fm, want to make the musical site-hopping game a thing of the past. But is a slick, cross-service, music library really achievable?
As a longtime user and huge fan of Rdio, I was thrilled to hear about its new free service to combat iTunes Radio and Pandora (along with many other services). But I had a lot of questions about the new service, and nobody was answering them for me in a clear or concise way.
A lot of us at AppStorm are fans of the service too, so pitching the idea seemed natural. For us, Rdio is a way we find new music all the time. Understanding how it works for new users with an unpaid subscription is important to us, because we really want our friends on the service. (Say what you will, but I think its social features are top-notch.) Read on to find out what you need to know about Rdio’s free subscription tier.
I’ve got a serious problem: I’m addicted to music. It’s unusual for me to not be listening to music, especially when I’m working. The stereo is always on when I drive. Headphones are on when I walk the dog or go the gym. I’ve been in and fronted multiple musical groups, from alternative indie to heavy metal. I own hundreds of CDs, but made the transition to going all-digital over my university career, when I valued portability over all else.
These days, I’ve got multiple devices, each with a finite amount of hard drive space. I’ve got an iPod Classic that can hold everything, but my iPhone and iPads are both much more limited. My Android devices have even less room to spare. Rdio recently saved the day. We reviewed Rdio in 2011, but a lot has changed since then. Read on to find out what still makes Rdio worth the subscription today. (more…)