Time tracking apps are among the most predictable apps. They’re all designed to keep track of the time you’ve worked on your projects so you’re fair to both your clients and yourself. Then, the apps typically let you turn your timesheets into invoices, and perhaps track time on the go. Boring, but necessary.
And then there’s the new Timely. I’m pretty certain you’ve never seen a time tracking app like this. It’s the one time tracking app that you’ll actually want to use, it looks so nice. Plus, it’s simpler than most to use, thanks to its drag-and-drop calendar (apparently a popular new trend).
The reasons for Myspace‘s fall from the zenith of social networking were the usual: neglect, user boredom, and a sparky new competitor offering an exciting, fresh alternative. Not terribly surprising. What has surprised me is the subsequent spooky quietness of the social music void that MySpace vacated.
Of all the would-be successors to MySpace, Last.fm has come the closest to being a direct replacement; but it provides poor listening options. Spotify and Grooveshark both have social aspects, although in both cases, the main focus is on music playing. And then there was Ping; as far as Apple is concerned, the less spoken about that car crash of a network, the better.
So it’s going to be interesting to see where new music discovery service Seevl fits in. With artist profiles, a comprehensive search engine, and integration with a plethora of streaming services, it looks well equipped to meet the needs of the contemporary listener. But can the app live up to its own, appealing feature list?
I’ve always been in the lookout for tools to make niche writers’ lives easier. Screenwriting is a product category that I’ve become really passionate about. It’s an area of interest for me — screenwriting is a hobby of mine, and I’d love to see the tools used to write them improve. After all, we’ve all been stuck with the same few standards for years — Final Draft being chief among them
Final Draft is really unwieldy, though. It’s one of my least favourite programs, and for a while, it was also one of my most used. Today, I spend a lot of time using apps like Slugline, which use a fantastic Markdown-inspired markup syntax called Fountain (developed in part by John August, the writer of Big Fish). But for many people, a new syntax can only do so much in our Internet-based world. Enter Writer Duet, an online screenwriting app built for writers who want to collaborate on the go. Read on to find out what makes this product so unique in a sea of contenders.
As a freelancer and small business owner (you’d probably be surprised at how often those two coincide), I’ve spent some time looking for ways to track how much I’m working and what I do with my days. For me, this has a couple purposes. If my hours are billable (they’re usually project-based, but once in a while I bill by the hour), I can keep track of how much money I’m owed. The second purpose is simple time management — it’s a lot easier to keep on task and on track if you know where your time is going.
I’ve recommended a couple different apps for the latter — my favourite is still iDoneThis — but I haven’t had a chance yet to talk about the former. With Ding, I’ve finally found an app that really hits the spot for tracking billable hours. Let’s talk about what makes Ding worthwhile for freelancers and why you might be interested in adopting it for your own small business.
There’s so many new focused writing apps for the web this year, it’s hard to keep track of them all. But they almost all have one thing in common: they require you to use Markdown for formatting. You could just write in plain text, but if you want italics or bold text, or just want to add a list or a link, you’ll have to use Markdown. It’s not hard to use, per se, but not everyone loves typing extra characters for formatting. That’s why there’s still the tried and true rich text formatting like you’d see in Word, Pages, and even the Gmail editor. It’s just not something most focused writing apps use these days.
If you love rich text editing, and still love focused writing apps without all the clutter and nonsense, you’re in for a treat. The brand-new drft is just what you’ve been waiting for, and we’ve got exclusive invites for our readers. (more…)
Collaborative writing has been one of the many things the web was supposed to simplify, and yet it’s still as broken as it’s ever been. Live co-editing like Google Docs offers only works for a very few niche scenarios, and newer tools like Draft and Editorially only work great for one writer and one editor giving feedback on a finished work. And the old style of emailing documents back and forth — or the slightly updated version of saving them to a shared Dropbox — is still far from ideal.
There’s one tech tool that’s seemed promising recently, though: git. The geeky version control system used most famously by GitHub is designed to let software developers collaborate on code, and is the very reason people around the globe can contribute to open source projects. Code is just text, of course, so earlier this year two dozen mathematicians wrote The HoTT Book collaboratively using GitHub. That was quite an undertaking, both for its unprecedented collaboration and for using git for writing even when it wasn’t exactly designed for it.
But what if GitHub was reinvented around writing? That’s what Penflip, a new git-powered writing app, aims to find out.
I’m a huge Dropbox junkie. I’ve got 19 GB of free space that I’ve managed to secure over the years (being a student and inviting friends used to help, especially before Dropbox really exploded over the past few years). But cloud storage is tricky, and I’m the paranoid type who believes you should never rely on only one storage solution — even if it is “in the cloud.”
I was intrigued when I heard about another cloud-solution that claimed to offer a few advantages to the Dropbox setup. It’s called NTI MiST. NTI has been in the software game for a long time, and have seen tremendous success in the industry. Read on to find out whether MiST continues to improve on their sterling reputation, or if it can replace or work alongside Dropbox.
Paginated publishing is back. When we originally turned away from print in favour of the digital world, web formats ruled the roost. But sales of touchscreen devices have boomed in recent years, and the knock-on effect has been to return the most natural format for reading to the ascendancy.
This arrival at full circle has triggered a brand new kind of platform — the e-publishing CMS. We may be just three years into the tablet revolution, but there are already numerous options for the journalist or novelist wanting to self-publish digitally. Apple’s introduction of iBooks was followed by the launch of near-frictionless services such as Origami Engine, ReadyMag and Type Engine, and many more have arrived since. It is a seriously competitive market.
Yet, I think the outlook for Creatavist, a new “web-based storytelling platform,” is actually quite good. A mammoth array of content options awaits potential users of this beta offering, and it also has the backing of Nicholas Thompson, the editor of The New Yorker’s website — he co-founded the developing company, in fact. So, can this new kid on the block make a meaningful impression?