The reasons for Myspace‘s fall from the zenith of social networking were the usual: neglect, user boredom, and a sparky new competitor offering an exciting, fresh alternative. Not terribly surprising. What has surprised me is the subsequent spooky quietness of the social music void that MySpace vacated.
Of all the would-be successors to MySpace, Last.fm has come the closest to being a direct replacement; but it provides poor listening options. Spotify and Grooveshark both have social aspects, although in both cases, the main focus is on music playing. And then there was Ping; as far as Apple is concerned, the less spoken about that car crash of a network, the better.
So it’s going to be interesting to see where new music discovery service Seevl fits in. With artist profiles, a comprehensive search engine, and integration with a plethora of streaming services, it looks well equipped to meet the needs of the contemporary listener. But can the app live up to its own, appealing feature list?
It was only six months ago that I was testing, and seriously enjoying the newly released Barley, and its intuitive take on website management. Featuring tag-based installation, editing that is almost entirely inline, and a beautiful admin area, it has been a hit with web designers looking for a client-friendly option.
Few in the web industry would describe WordPress as the leanest editing machine, nor as the friendliest environment for the hapless, technophobic business owner. But can a plugin really outdo the system it is plugged into?
There once was a time when I followed gaming with verve and passion, soaking up every out-of-ten score in the Official Playstation Magazine, and cursing Nintendo for somehow making the latest Mario Kart game even more irritating than the last. But time has passed, and I no longer have my finger quite on the pulse.
However, I still do hear about most of the latest releases, one way or another, and I pay special attention to game launches with something interesting, unusual, or notable about them. A recent example was the launch of Zoo Tycoon, of which I learned thanks to my AppStorm colleague, Marius Masalar, and his fine taste in tweeting.
Whilst the sight of yet another Zoo Tycoon game was not terribly striking, the initiatives that Microsoft has taken, alongside the production of the game, are.
Paginated publishing is back. When we originally turned away from print in favour of the digital world, web formats ruled the roost. But sales of touchscreen devices have boomed in recent years, and the knock-on effect has been to return the most natural format for reading to the ascendancy.
This arrival at full circle has triggered a brand new kind of platform — the e-publishing CMS. We may be just three years into the tablet revolution, but there are already numerous options for the journalist or novelist wanting to self-publish digitally. Apple’s introduction of iBooks was followed by the launch of near-frictionless services such as Origami Engine, ReadyMag and Type Engine, and many more have arrived since. It is a seriously competitive market.
Yet, I think the outlook for Creatavist, a new “web-based storytelling platform,” is actually quite good. A mammoth array of content options awaits potential users of this beta offering, and it also has the backing of Nicholas Thompson, the editor of The New Yorker’s website — he co-founded the developing company, in fact. So, can this new kid on the block make a meaningful impression?
The human brain really isn’t very good at processing masses of abstract data…well, I know mine isn’t, anyway. Brains can usually cope with a few things at one time (“must reply to that email once I get back from picking up the milk”), but when faced with a torrent of information, such as the web bombards us with, most brains start to struggle.
It is for this very reason that virtual dashboards have gained popularity. Developers recognize that even the most basic of web-apps, like a blog, can churn out a mass of data, which can only be seen with clarity if it is delivered in a human-friendly, visual format. Yet the idea of a personal dashboard, possibly the most useful matrix of this kind imaginable, still hasn’t really taken off, despite the traction that services such as iGoogle, My Yahoo and Netvibes gained in their early days.
Perhaps the smartphone has shoved the dashboard into outdatedness and redundancy. Or perhaps the desktop dashboard format just needs some reinvigoration. If the latter scenario is the more accurate, then Dash wants to be that reinvigoration. It is pretty, well connected and dynamic — but is it good enough to be your new homepage?
Sadly, much of the work done by those in the creative arts isn’t terribly creative. This isn’t because all the talented designers, musicians, film-makers and photographers out there aren’t capable of producing works of stunning originality. It is actually due to the irritatingly small amount of time that they can dedicate to making beautiful things, and the frustratingly large volume of time dedicated to the trials associated with a service-based profession.
One such trial is the toing and froing of work between the professional and the client. Many of the platforms that are technically capable of performing this task are not focused on the client-facing niche of file sharing, and as a result, few prioritize both straightforward operation and high quality presentation.
This is why I think the concept of Sitedrop, a new beta hot off the Betaworks press, makes sense. Based on Dropbox for storage and hosting, Sitedrop wants to make the delivery of your work within a beautiful interface as simple as moving a file. Is that too much to ask? (more…)
The independent cartographer’s future business options are looking a little shaky at present. There’s only one platform most of us use for visualizing addresses and researching locations, and it just happens to be attached to the world’s most popular search engine.
I am, of course, referring to Google Maps — a service which, due to its general-use popularity, seems to provide about nine out of every ten maps you see embedded around the web. There’s nothing terribly surprising about this, even when the restrictive nature of map-building with Google is taken into consideration — convenience, after all, is king. What is surprising is that no competitor has produced a similarly easy-to-use platform that also offers greater freedom. But things are changing.
A startup named MapBox, three years in the making, is out to corner the online cartographic marketplace. Its original breakthrough came in the shape of TileMill, an open source native mapping app. Now, however, MapBox has its own online platform — but can it snatch Google’s crown?